We’re going to try to give a quick glance at the major forms of effects for guitar players. In part 1 we’ll cover the essentials.
We all know that there are millions of websites offering insight to the topic, but its been our experience that they’re authored by engineers, not musicians… they read like microwave manuals instead of a helpful resource… Anyway… off we go.
I can’t really milk greater than a few lines using this topic. It’s pretty cut and dry- a lift pedal can give your signal a volume boost – or cut, for the way you’ve got it set. Most boost pedals behave as a master volume control allowing you quite a wide variety of use.
So why do I needed an enhancement pedal? To bring your guitar volume up over all of those other band throughout a solo, to drive your amp harder by feeding it a hotter signal, to get a set volume change on the press of a button.
When most guitarists focus on overdrive, they may be referring to the smooth ‘distortion’ manufactured by their tube amps when driven to the point of breaking up. Overdrive pedals are designed to either replicate this tone (with limited success) or drive a tube amp into overdrive, creating those screaming tubes beyond whatever they normally would be able to do without wall shaking volume.
So why do I need an overdrive pedal? Overdrive pedals can be used as an enhancement pedal- therefore you get those inherent benefits, you’ll find some good added girth to your tone through the distortion created by the pedal. Most overdrive pedals have tone control giving you wider tone shaping possibilities.
According to our above meaning of overdrive, distortion is the place where overdrive leaves off. In the rock guitar world think Van Halen and beyond for a clear demonstration of distorted guitar tone. Distortion pedals often emulate high gain amps that produce thick walls of sound small tube amps usually are not competent at creating. If you’re fortunate enough to have a large Marshall, Mesa Boogie, Diezel or some other monster amplifier to create your distortion you may not need to have a distortion pedal. But all through us mere mortals, guitar pedal reviews are necessary to modern guitar tone.
How come I need a distortion pedal? You would like to be relevant don’t you? In spite of large amps, like those mentioned previously, distortion pedals play an important role in modern music. They have flexibility that boosts and overdrives can not rival.
God bless Ike Turner as well as the Kinks. Both acts achieved their landmark tones by using abused speaker cabinets. Ike dropped his on the street walking straight into Sun Records to record Rocket 88, the Kinks cut their speakers with knives approximately the legends have it. Regardless of how they got it, their tone changed the globe. Some consider it distortion, some consider it fuzz, however, seeing the progression readily available damaged speakers to the fuzz boxes created to emulate those tones, I believe its safest to call what Turner and Davies created/discovered was fuzz.
How come I want a fuzz pedal? Ya like Hendrix, don’t ya? In all honesty, the fuzz pedal is seeing resurgence in popular music today. Bands like Nine Inch Nails, Marilyn Manson, Muse along with the White Stripes rely heavily on classic designs on recent releases.
The work of any compressor is always to deliver a much volume output. It will make the soft parts louder, and the loud parts softer. Current country music guitar tone is driven by the use of compression.
Why do you want a compressor? Improved sustain, increased clarity during low volume playing.
The earliest “flanger” effects were created in the studio by playing 2 tape decks, both playing the same sounds, while an engineer would slow or increase the playback of one of the dupe signals. This is the way you could potentially produce wooshing jet streams. The advantage of the traditional tape reels is known as the flange.
How come I need a flanger? A flanger will offer you a fresh color in your tonal palette. You may deal with out one, but you’ll never get a few of the nuance coloring from the Van Halen’s, Pink Floyd’s, or Rush’s around the world.
The phase shifter bridges the gap between Flanger and Chorus. Early phasers were meant to recreate the spinning speaker of the Leslie. Phase shifting’s over use may be heard everywhere in the initial Van Halen albums.
Why do I needed a phase shifter? See Flangers answer.
Chorus pedals split your signal into two, modulates one by slowing it down and detuning it, then mixes it in together with the original signal. The outcome should really sound dexspky30 several guitarists playing the same thing concurrently, producing a wide swelling sound, having said that i don’t listen to it. You need to do get a thicker more lush tone, however it doesn’t appear to be a chorus of players in my opinion.
So why do I want a chorus? Because Andy Summers uses one, and Paul Raven says so… that needs to be sufficient.
As being a kid, do you ever have fun with the quantity knob about the TV or perhaps the radio manically turning it up and down? Yeah? Well that you were a tremolo effect.
So why do I want a tremolo pedal? 6 words for ya: The Smiths ‘How Soon Is Now’
A delay pedal results in a copy of the incoming signal and slightly time-delays its replay. You can use it to create a “slap back” (single repetition) or perhaps an echo (multiple repetitions) effect. Who amongst us can’t appreciate The Edges utilization of effects for guitarists delay throughout U2s career?
So why do I needed a delay pedal? See Flangers answer.
A variable band-pass frequency filter… Screw all that- you know what a wah wah is… its po-rn music! It’s Hendrix! It’s Hammett. It’s Wylde. It’s Slash.